Showing posts with label Scott David Aniolowski. Show all posts
Showing posts with label Scott David Aniolowski. Show all posts

Friday, March 27, 2015

Publishing News: THE NAMELESS DARK, the debut collection of short fiction from T.E. Grau, slated for release July 25, 2015 by Lethe Press

Cover art by Arnaud de Vallois

Now that the cover is squared away and the manuscript is into the last throes of the copy edit phase, I am happy to announce that my debut collection of short fiction, titled The Nameless Dark, will be published this July 25, 2015 by Lethe Press.

This collection represents (nearly) every single step of my journey into prose writing after spending over a decade as a screenwriter, and a music journalist and humor columnist several years prior to that, starting in my freshman year of college. It was at age nineteen - and hot on the heels of what Rimbaud described as a "long, boundless, and systematized disorganization of all the senses" - that I changed my major from History/Pre Law to English and never (okay, rarely) looked back. In all those years of writing, and through every minor accomplishment, nothing has even remotely been as satisfying as completing a book of prose and finding a publisher that is not just willing, but actually relatively excited, to print it upon rectangled paper and sell it to the reading public.

The journey from manuscript to publishing deal was a bit of a surprise. While wrapping up the last story for the collection ("Tubby's Big Swim"), Steve Berman of Lethe Press contacted me after both Nathan Ballingrud and Laird Barron posted reviews on Facebook of my prairie horror novella The Mission. Steve first sought to re-publish the limited edition novella (which was at that point out-of-print), but after a bit of discussion, he then made an offer to publish my entire collection based in large part of the good word of these two colleagues, whose writing I admire so much. Naturally, I am very much indebted to both Laird and Nathan for reading and then publicly commenting on my work. That sort of exposure is priceless, and incredibly important. Forever pushing the boundaries of manners and entitlement, I then asked Nathan to pen a foreword to The Nameless Dark. As gracious as ever, he agreed, for which I am and shall ever be eternally grateful.

As noted above, these stories stretch back to 2010, starting with "Transmission," which was the first short story I ever wrote, then becoming the first piece of fiction I ever sold. The bones of "Twinkle, Twinkle" were actually written before "Transmission," but I never sought to find a home for it, knowing that I'd want to sit on it a bit and rework it, which I did for The Nameless Dark. It, along with "Tubby's Big Swim" (my most recently completed story), and "Expat" (finished just before "Tubby"), are the three unpublished (and unclaimed) pieces in the collection. "Mr. Lupus," my longest work to date in terms of word count, sold to an anthology a few years back edited by Scott David Aniolowski, but has never been released to the public. "Return of the Prodigy" will be included in this summer's highly anticipated Lovecraftian fiction anthology Cthulhu Fhtagn!, edited by Ross E. Lockhart and published by his excellent press Word Horde. The rest of the stories have appeared in various anthos, fiction journals, and other books over the last five years, and I am excited to have them all collected under one roof, elbowing for space at the family dinner table.

As requested elsewhere in the ether, the table of contents reads as such:

Tubby’s Big Swim
The Screamer
Clean
Return of the Prodigy
Expat
The Truffle Pig
Beer & Worms
White Feather
Transmission
Mr. Lupus
Free Fireworks
Love Songs from the Hydrogen Jukebox
Twinkle, Twinkle
The Mission

Pre-orders will begin in April via Amazon, so keep watching this liminal space for information on that, and in the meantime, thank you ever so much, dear readers and watchers and tenders of the signal fires, for your interest in my work.  I hope The Nameless Dark satisfies, and opens the door for me to show you previously unknown places and the shadows that live there, both now with this book and in the years to come with whatever will come after. This is just the beginning, the hill country at the foot of the mist-shrouded mountain. I can see the overgrown trail up into the high country, and am adjusting my pack upon my shoulders. The way won't be easy, and is sure to be treacherous, but the view from the top promises to be so incredibly worth it.

Edited (3/30/15) to add: Pre-Orders now available right here.

Tuesday, May 29, 2012

Story Excerpt: "Free Fireworks", Published in 'Horror for the Holidays', Edited by Scott David Aniolowski for Miskatonic River Press


As we sally forth into the heated months while still lurching from the shadow of Memorial Day - summer's unofficial launch party - we now look forward to the next holiday on the docket, which has always been one of my favorites.  Independence Day.  The 4th of July.  The Night of Lost Fingers.

Hot on the heels of my acceptance into Dead But Dreaming 2 for Miskatonic River Press, renowned editor and writer Scott David Aniolowski put out the call for submissions for MRP's follow up anthology, titled Horror for the Holidays.

I batted around a few ideas like a brainless kitten sparring with a semi-sentient ball of string, until I struck upon a setting in a near future world that reflected much of the horrors that are currently loosed upon this tired planet, while adding in a healthy dose of what could happen if the stars align just right (which, in turn, would be so very wrong).  The result was the story "Free Fireworks," which I am excerpting below.  What I've provided gives nothing away, but also might foster the impression that this is just a war story.  I've set it up to be a bit more than that, but to say anything further would spoil the fun.

Please note that contrary to the understandable misconceptions of some, Horror for the Holidays is NOT just Christmas/Chanukah/Kwanzaa stories, but covers a full raft of those special days created to bring us such comfort and joy, as the ToC shows:

Horror for the Holidays
Table of Contents
Introduction by Scott David Aniolowski

TALES OF ROSH CHODESH
The Tomb of Oscar Wilde by W.H. Pugmire

TALES OF VALENTINE’S DAY
Love and Darkness by Oscar Rios
Be Mine by Brian Sammons

TALES OF PASSOVER
Cthulhu Mhy’os by Lois H. Gresh

TALES OF EASTER
And the Angels Sing by Cody Goodfellow
The Last Communion of Allyn Hill by Pete Rawlik
Mrs. Spriggs’ Easter Attire by Joseph S. Pulver Sr. and Tara VanFlower
Seasons of Sacrifice and Resurrection by Adrian Tchaikovsky

TALES OF MOTHER’S DAY
Mother’s Night by Ann K. Schwader

TALES OF THE FOURTH OF JULY
Free Fireworks by T.E. Grau
Doc Corman’s Haunted Palace One Fourth of July by Don Webb

TALES OF VJ DAY
Translator by James Robert Smith

TALES OF HALLOWEEN
Hallowe’en in a Suburb by H.P. Lovecraft
Moonday by Will Murray
The Trick by Ramsey Campbell

TALES OF THE DAY OF THE DEAD
El Dia De Los Muertos by Kevin Ross

TALES OF GUY FAWKES NIGHT
Treason and Plot by William Meikle

TALES OF REMEMBERANCE DAY
The Dreaming Dead by Joshua Reynolds

TALES OF THANKSGIVING
Entrée by Donald R. Burleson

TALES OF YULE
Keeping Festival by Mollie Burleson
Wassail by Tom Lynch

TALES OF CHRISTMAS
Krampusnacht by Joshua Reynolds
The Christmas Eves of Aunt Elise by Thomas Ligotti
Letters to Santa by Scott David Aniolowski
Keeping Christmas by Michael G. Szymanski
The Nativity of the Avatar by Robert M. Price


There are some BIG names in there, folks.  And it isn't often that you can pick up an anthology that lines up Ligotti with Campbell, Lovecraft with Price, Pugmire with Goodfellow.  This is a rich, deep, varied collection of horror and Mythos tales that truly belongs on the shelf of any full realized Weird Fictionista.

Give the excerpt a read if you're keen, and if you enjoy it just a bit more than a kick in shorts, please pick up the complete version of the story  in Horror for the Holidays, available directly through the Miskatonic River Press mothership, or via the industry-consuming creeps at Amazon.com.


Free Fireworks
by T.E. Grau
(Excerpt)


The sun was setting, finally, and the cicadas took up their song.  The daylight hours of July 4th seem to last an eternity, adding anticipation to that moment when the night sky first goes from dead to alive, thrilling and frightening in equal measure.
From the rooftop of their apartment building, William took a deep breath, and caught a waft of countryside air, blowing in from the west, pushed on by the sunset.  For a brief moment, he could smell the honeysuckle, flavored with fresh tilled loam of the farm where he grew up, where he used to run through the wooded creek beds and crawl through culverts, playing war.  It was mid summer now, and the crops would have been growing so quickly you could hear the corn stalks creaking and popping in the fields as they thickened and reached up toward the hazy sun.  The beans needed to be walked, and the hogs were fattening in the mud, looking for a low spot in the fence.  The bailers would be out, scooping up the first cutting of fragrant alfalfa drying in the fields, exposing a hidden civilization of earwigs and clicking beetles that gathered under the hot wetness beneath.  William closed his eyes and took another breath, hoping to uncover more memories, but this time only smelled smoke.  A neighbor had just lit up one of those ridiculous cone fountains on the far side of the roof.  Children danced around the guttering sparks like wild Indians; like the heathens we all once were.  Jacob got up from his contemplation of a late-lingering Junebug and joined in.
William frowned.  He had grown to hate the smell of smoke, of burning things, which now filled him with horror when it was such a pleasant experience in his youth.  He hated that he was an expert in smoke, noticing the nuanced differences of chemicals and wood, rubber and flesh.  He hated the things he had done while other things burned.  He missed the smell of burning trash on the farm, when the sharp pungence of combusting plastic was just a Kool Whip container dripping into the coals, when the odor of burning hair and muscle was just the calcine remains of a bird shot squirrel.  
Down below, a muffled hush swept the Square, nudging William from his reverie, as the mournful strains of “Taps” began.  This was the lament of the widows and the heartbroken left behind.  William looked back at the door leading to the roof.  He fetched Jacob and brought him close, listening to the song begat during the Civil War – the first Civil War – but made so common the last few years that it became an Independence Day hymn.  It was written by a youth from the North, who ran away from his family to attend music school in the South.  There, he wrote a simple, mournful tune.  That young man died on the field of battle, fighting for the Confederacy, and the song was discovered in the pocket of the bloodied corpse by his shocked father, who was an officer in the Union Army.  The officer asked his superiors if the Union band could play it for his dead son.  They refused his request, as they’d be damned if their band would play a tribute to the enemy.  He pleaded, and was finally offered a single bugle.  The grieving father gave the song to the bugler, who played the funeral dirge to the lone body who had written it.  “Taps.”
William looked down at Jacob, who was watching the veterans’ parade with right hand raised to brow in a stiff salute practiced for so many hours in front of the mirror.  His grandfather, who fought, killed, and died a little in the haunted jungles of Vietnam, would have been proud.  William smiled sadly, wishing that Jacob would run away to music school, to leave this city and this war and this grim and uncertain future behind, but Jacob would have nowhere to run.  Music schools were the stuff of fairy tales these days.  Music was the drum beat of battle and schools were now campuses of war.
            The battalion band took over, playing John Phillips Sousa as the parade proceeded through the Square.  A shout went up, and grew.  Men saluted.  Women threw flowers and blew kisses.  Children watched with wide eyes.  It was a celebration of those who survived and sacrificed so much to keep this country free. 
As the sun dipped below the horizon, bathing the world in that sweet hue of magic hour blue, the first volley of organized fireworks launched into the air, exploding in bellowing showers of multicolored sparks taking on fantastical shapes… Flowers, sunbursts, fiery spirals like the flash of galaxies.  Jacob jumped up and down, clapping his hands and trying to whistle through his fingers like his father taught him.  Somewhere in their apartment, William could almost hear the dissonant sax music rising in volume.  Abigail needed to be up here, but she just couldn’t.  William understood that, as best he could. 
            The fireworks continued, unleashing burning glory in the sky.  Brief, fiery sketches thrilled the crowd.  The Square cheered each glimmering salvo.  Bellowed like Vikings.  People were drunk now, forgetting their fear in the haze of liquid hope.  William watched the burning patterns branding the darkness reflected in Jacob’s eyes.  He picked up his son, so he could get a better look.  
William heard a sound behind him, and turned.  Abigail stood in the roof access doorway, holding a lit sparkler in her hand, a tired, bleary smile on her face.  He set Jacob down and went to her; took her pale face in his hands and kissed her deeply, like they used to kiss when every second mattered before the porch light came on.  He looked into her bloodshot eyes, and pressed his forehead against hers.  “Thank you,” he said.  Her soft hand against his face told him everything he needed to know.  She held up the sparkler as it fizzled to a red, glowing stick, then frowned, pouting like a little girl.  William laughed and kissed her again, sometimes feeling as much her father as her husband.  He took her by the hand and walked her to the edge of the building to their son.  Jacob’s eyes lit up, but he said nothing as he hugged her tight around the waist.  William put an arm around his wife, and brought his son in close between them.  For the first time in a long time, it all felt right.  The way it was supposed to be.  The way it once was.  The All-American family, enjoying the 4th of July under a dying sunset, with fire in the sky and without a thought for tomorrow.
Just then, a boom much lower and louder than the others shook the cobblestones.  The parade stopped abruptly, the band’s trumpeter trailing off like a deflating balloon.  Fireworks continued to fly, as the fuses were already lit, but no one was watching anymore. Murmuring silence choked the Square.  Abigail looked at William, whose face told her everything she needed to know.  Another muffled blast sounded, and another.  Triangulation.  The citywide PA system croaked to life.  Orders chattered into the night.  Sirens wailed.  Abigail fell to her knees and wept.  William looked down at her, as if it was happening in slow motion. 
A plume of black smoke billowed up from the Old City marketplace, four blocks over from the Square.  The throaty belch of a heavy machine gun fire chewed through the din.  Screams littered the Square, as the crowd scattered, grouped, rallied. 
God damn them…  On our holiday.  Just like last time.
Jacob looked down for Abigail, but she was gone.  His stomach turned.  He didn’t want to gear up and head out like this.  William took a deep breath and turned to the roof door.  A hand stopped him.  It was Abigail, holding Jacob in front of her.  She blinked away tears and smiled, laughing in spite of herself.  He walked to her and she kissed him, whispering into his ear.  William smiled, gripping the small of her back, re-etching the familiar curve into his memory.  He then hugged Jacob and looked into his son’s eyes.  William wanted to say that he loved him, but he did it so rarely, that he was worried that the boy would take it as a final goodbye.  So he just nodded.  Jacob nodded back.
And then, only two stood on the rooftop, and William was gone.  White smoke drifted over the Square.  Black smoke rose beyond.  Abigail closed her eyes. 

***

William strode quickly onto the street, wearing starchy fatigues, a modified M-240 in his hand and a heavy pack slung over his shoulder.  He blinked a few times, trying to orient himself to the frantic commotion of the Square after dressing in the silent apartment.  All around him, fellow soldiers, male and female, young and old, kissed their loved ones goodbye, while others emerged grim faced from apartment blocks still littered with bottles and trappings of the party that hid them from the outside world just hours before.  A banner of red, white and blue dangled limply from the awning of a shuttered storefront.  Under it, an old man leaned on a cane and looked up for the stars of his youth.  He didn’t move, only stared.  William looked up at the roof, where he knew Abigail and Jacob were watching, and waved.
Another explosion two neighborhoods over shook the ground and shot red-gutted smoke into the sky.  Infiltrators.  Spies gone active.  Peace had made security soft.  Made all of them soft, William thought, adjusting the tight Kevlar vest under his jacket that always fit him so loosely before.  He was adding inches, while the city was giving them away.  Give them an inch, they’ll blow up a mile.  Gunfire ripped into the night, sending everyone but the soldiers scurrying for doorways.  The man under the striped banner was gone.
William jammed a receiver into his ear and a walkie talkie to his mouth, as he jogged toward the outer wall ringing Old City, receiving intel and barking orders.  He had to man his post. 

***

The walkway cresting the wall was crowded with crouching troopers, weapons bristling outward like deadly whiskers, just like the days of castles and keeps that thrilled William’s childhood.  A teenage private, still a bit woozy after fear burned off most of his drunk, lit up a cigarette.  William shot a glare in his direction.  The kid blanched and quickly stamped out the smoke under heavy boot tread.  William shook his head.  A glowing cherry earned you a sniper’s bullet exiting the back of your mouth.  Some of these guys need more training, more time.  There was never enough time anymore.
William returned his gaze down his scope, scanning the frustrating darkness below.  He knew they were out there.  Knew they were watching, praying to the empty sky.  He could smell them.  Smell their smoke.  Exhaust, campfires, dank Turkish cigarettes… What were they waiting for? 
It had been hours since the last of the suicide attacks rattled the city and dawn was on the creep.  Insurgent recon was lacking, as they leveled a recently emptied ammo dump and part of the Old City prison, freeing two spies awaiting trial just long enough for proper justice to be rendered with the gavel fall of hollow points.  Their slapdash Trojan horse failed to open up the enemy from the inside.  Terrorists didn’t win many battles.  They just wore you down until you gave up and lowered your head.  But tonight, there would be no ‘wearing down’.  This would be to the death, and whatever waited beyond. 
William’s earpiece crackled to life.  Air support was on its way, but they were coming in from the nearest base in the Rockies, a good thousand miles away.  William tested the breeze, hoping to find a westerly tailwind.  Nothing.  Everything was still.  Quiet, within and without.  The holiday was over.  The Air Force would be late.
He looked up to the queer stars arranged in new constellations that knew not nor cared not what was happening below.  He didn’t think he’d ever get used to them, even after all he’d seen.  A shooting star carved through a patch of grayish black with a dim trail of stratospheric sparks.  Free fireworks. 
A commotion went up from the troops manning the west section of the wall.  Dots of light appeared on the hilltop about a mile outside Old City, on the grounds of what used to be a high school.  William looked through his scope as the sun groaned through the pre-dawn, dimly lightening the sky and giving the first glimpse of what was waiting in the dark.  


Thursday, March 1, 2012

Publishing News: "Ignis Fatuus" Accepted for Publication in 'Dark Fusions: Where Monsters Lurk', Edited by Lois Gresh for PS Publishing

I'm pleased as punch and proud as pie to announce that "Ignis Fatuus" - a story I co-wrote with renowned speculative fiction writer, editor, and Call of Cthulhu scenario trailblazer (and editor of my forthcoming collection) Scott David Aniolowski - was recently accepted into the forthcoming anthology Dark Fusions: Where Monsters Lurk, edited by Stoker and Nebula award winning, six-time NY Times Bestselling author and major literary/horror personage Lois Gresh, to be released as a deluxe, signed hardcover by the excellent British horror, fantasy and sci-fi indie press PS Publishing this coming winter.


"Ignis Fatuus" is a bit of a dark, Ligottian fairy tale, told through the eyes of an aging, book-loving curmudgeon who feels most at home in the ancient Irish cemetery near his home, far from the howling neighborhood children and mechanized society that he increasingly shuns in favor of the solitude of the buried dead.  It was a blast to co-write, and is based off of Scott's fantastic original idea.  I grabbed his coattails and hung on tight, riding just long enough to throw in some bloated prose and a smear of unnecessary adjectives.  Even with all that going against it, the finished story made it over the wall.  And who says envelops full of large bills can't solve all the world's problems?

I wasn't really sure how a collaboration would play out initially, as fiction writing is such a personal undertaking, where styles are so varied and rhythms unique.  As a screenwriter in a former life, I occasionally collaborated with other writers on screenplays, as a script is such a purposely stripped down blueprint as far as stylistic flourish and ownership of language.  Screenwriting is meant to be somewhat cookie cutter for all of us schmucks who hadn't yet established a "brand" and earned the right (aka "been allowed") to put a personalized stamp onto a cinematic written work.

But prose is different, as prose is one's own.  Unique voice is encouraged, and almost unavoidable (unless imitation is actively sought).  The internal is externalized onto the page.  As such, one never knows how two different people will meld their voices into a duet.  And while I think Scott is a dynamite writer, I never really got the impression that we were similar stylistically.  But a funny thing happens when two are of one mind, and share a devotion for the same inspirations.  Throughout the process, literary alchemy took place, and in the end, an organic synthesis was achieved.  This resulted in "Ignis Fatuus" emerging whole and seamless, in that not even I can tell which parts are his, and which mine.  That's a good collaboration.  I enjoyed the hell out of it and am quite proud of the results.


While not much has been leaked into the ether as of yet about this project (as it's still quite early), this is the most recent announcement with details from Lois' blog:
___________________________________________________________________________
In no particular order, these are the contributors to DARK FUSIONS: WHERE MONSTERS LURK. 
Cody Goodfellow
Nicholas Kaufmann
Mark McLaughlin
Darrell Schweitzer
Robert M. Price
Ann Schwader
Lynn Spitz
James Alan Gardner
Michael Marano
Lisa Morton
Nick Cato
John Haefele
Christopher Fulbright
David Sakmyster
Yvonne Navarro
Nancy Kilpatrick
Scott David Aniolowski & T.E. Grau
Norman Prentiss 
We have a great lineup and some terrific stories in this anthology. 
Abundant thanks to Weird Fiction Master ST Joshi and Fantastic Publisher Pete Crowther! 
Lois
___________________________________________________________________________

There are many eminent names on that list - some with whom I've shared anthology space in the past, and others that I have haven't yet had the honor.  I'm once again humbled to be included in the company of such talented colleagues.  All authors will autograph tip sheets for the deluxe edition of Dark Fusions, which is damn exciting, and should edge this antho into "must have" territory upon release.

As for my "Ignis Fatuus" writing partner and I, it's my sincere wish to continue collaborating with Scott in the future on additional stories, as we have a few other ideas under construction in the pipeline, and will release them into the wild as time, schedule, and opportunity allow.  It's always a joy to work with someone so inspired and talented, and I look forward with great anticipation to our next journey into the Weird places of this world, and others.

When not kicking ass, taking names, and guiding my first collection into bookstores, Scott David Aniolowski whispers from his beloved House of Secrets.

Finally, huge thanks to Lois for publishing our story in her fantastic anthology.  Purchase her extremely well-timed Hunger Games Companion here, and the rest of her TWENTY-EIGHT (yes, 28) books right about here.

Keep your eye out (like, literally right out of your pulpy gourd) for Dark Fusions: Where Monsters Lurk at the end of this rapidly unspooling year.  In the meantime, PS Publishing is putting out wicked gold every week, so sign up for their updates at their visually stimulating website, pick up a few of their monstrous tomes, then lock your doors.

Saturday, December 3, 2011

Publishing News: 'Horror For The Holidays' Now Available For Pre-Order from Miskatonic River Press, Just in Time for the... Well, You Know

Greetings once again, gentle readers.  I come to you inside the cozy bunker, deeply and happily entrenched in the wonderful womb of the holiday season, which at Grau Haus stretches from All Hallows Eve until the bleary dawn of New Years Day.

The holidays are a special time, aren't they?

Easter.  Armenian Christmas.  Hallowmas.  All Souls Day.  Lantern Festival.  Tomb Sweeping Day.  Children's Day.  Ascension Day.  Ash Wednesday.  Pentecost.  Boxing Day.   (yes, I've done my hasty goddamn research)

Holidays, these.  Sacred, all...

In a normal, well ordered universe, holidays are a lovely event.  A time for celebration, mirth, warmth.  Laughter and breathless anecdotes weaving through the pleasant tinkling of tiny glasses and clanking brown bottles.  A lighted hearth, a backyard barbeque, a laden table surrounded by family, friends, and other loved ones.  Shared times of collective goodness, all bound up in that all-important element of stolid TRADITION.
These are our holidays.  They bring us a sense of stability and security.  A normalcy in an increasingly confusing world.

But, to be frank, in the realm of The Weird, this won't do.  Won't do at all. 

Much like Hitchcock sought to bring horror to the mundane and everyday occurrences (such as innocuous flock of birds, or an innocent shower), so too do the writers of The Weird seek to undermine even the most blessed and innocent holiday.  We want to bring Horror to your Holidays.  And I think we have.

As we approach the Christmas, Hanuka, Kwanza, and a variety of other Christ/Santa/Father Christmas/Winter Grandfather holiday celebrations, it only seems fitting that Miskatonic River Press release their long await anthology, Horror for the Holidays, edited by renowned editor/writer and caretaker of The House of Secrets Scott David Aniolowski, which is now available for pre-order here.  MRP Head Tentacle Tom Lynch just shared that print runs start early next week. So let's move those appendages, okay squids?

Take a gander at this impressive, recently released table of contents, and shudder at the collection of award winning and critically acclaimed scribes who have chosen to thumb their noses and other pointy bits at holiday conventions:
Horror for the Holidays
Table of Contents
Introduction by Scott David Aniolowski

TALES OF ROSH CHODESH
The Tomb of Oscar Wilde by W.H. Pugmire

TALES OF VALENTINE’S DAY
Love and Darkness by Oscar Rios
Be Mine by Brian Sammons

TALES OF PASSOVER
Cthulhu Mhy’os by Lois H. Gresh

TALES OF EASTER
And the Angels Sing by Cody Goodfellow
The Last Communion of Allyn Hill by Pete Rawlik
Mrs. Spriggs’ Easter Attire by Joseph S. Pulver Sr. and Tara VanFlower
Seasons of Sacrifice and Resurrection by Adrian Tchaikovsky

TALES OF MOTHER’S DAY
Mother’s Night by Ann K. Schwader

TALES OF THE FOURTH OF JULY
Free Fireworks by T.E. Grau
Doc Corman’s Haunted Palace One Fourth of July by Don Webb

TALES OF VJ DAY
Translator by James Robert Smith

TALES OF HALLOWEEN
Hallowe’en in a Suburb by H.P. Lovecraft
Moonday by Will Murray
The Trick by Ramsey Campbell

TALES OF THE DAY OF THE DEAD
El Dia De Los Muertos by Kevin Ross

TALES OF GUY FAWKES NIGHT
Treason and Plot by William Meikle

TALES OF REMEMBERANCE DAY
The Dreaming Dead by Joshua Reynolds

TALES OF THANKSGIVING
Entrée by Donald R. Burleson

TALES OF YULE
Keeping Festival by Mollie Burleson
Wassail by Tom Lynch

TALES OF CHRISTMAS
Krampusnacht by Joshua Reynolds
The Christmas Eves of Aunt Elise by Thomas Ligotti
Letters to Santa by Scott David Aniolowski
Keeping Christmas by Michael G. Szymanski
The Nativity of the Avatar by Robert M. Price
As noted above, my humble contribution centers around the 4th of July, and gives what I hope is a new take on Independence Day.  I'd love to provide more detail, but I fear it would give something away.  Instead, pick up the tome, and dive in head first.  Trust that it'll be suitably Odd and hopefully more than a bit shocking.  It's what We do, you see...
In "Free Fireworks," I imagine it will look something like the above, and possibly the below, with a little added twist...
Happy Holidays, Weirdlings.  Make it a bit brighter by bringing home some sacred Darkness, as it's all about the Balance.

Wednesday, July 20, 2011

Be a Good Weirdling: Vote for Miskatonic River Press and Yog-Sothoth.com for 2011 ENnie Awards

As steamy July melts into sweltering August, we are now on the cusp of the annual Gen Con EN World RPG Awards (aka the "ENnie Awards"), which are described by their official website as "an annual fan-based celebration of excellence in tabletop roleplaying gaming," giving "game designers, writers and artists the recognition they deserve. It is a peoples’ choice award, and the final winners are voted upon online by the gaming public."

What does this mean to you?  A whole hell of a lot, actually, as Miskatonic River Press - the publishing motherland of Dead But Dreaming 2, as well as several exciting, upcoming projects including Horror for the Holidays (edited by Scott David Aniolowski), W.H. Pugmire's The Strange Dark One: Tales of Nyarlathotep, and Dissecting Cthulhu (edited by S.T. Joshi); in addition to a whole slew of fantastic Call of Cthulhu RGP scenarios, monographs, and supplements - is up for an ENnie Award for Fans' Favorite Publisher.

Also of interest to all good readers, writers, and gamers of a decidedly Lovecraftian bent is the fact that Yog-Sothoth.com  - which is THE meeting and discussion spot for CoC and the works of H.P. Lovecraft on the Internets - is up for an ENnie in the category of Best Podcast.


Follow this link to the ENnies Award Voting Booth and cast your gleeful ballot for MRP and YSDC in their respective categories.  Also, feel free to vote in other categories if you see a favorite or familiar name.  This is democracy in action, folks.  Don't spit in the face of freedom.  Puppies die and terrorists win every time an opportunity to vote is shunned. 

The awards will be presented (hopefully to Tom Lynch of MRP and Paul "of Cthulhu" Maclean of YSDC) at a packed and breathless ceremony held on Friday, August 5th at 6:30 pm in the 500 Ballroom of Gen Con Indy.  

So, as the blerg title suggests, please be a good Weirdling, and vote for the community website and the independent publisher that mean so much to me, to The Cosmicomicon, and to Lovecraftian gaming and fiction in general. These are OUR hubs, OUR platforms and champions, and we need to adorn them accordingly with the shiniest finery on the market. 
 

Sunday, July 3, 2011

Publishing News: "Free Fireworks" accepted for publication in 'Horror for the Holidays' anthology by Miskatonic River Press

This morning I received the wonderful news that my story "Free Fireworks" was accepted for publication in the anthology Horror for the Holidays, edited by Scott David Aniolowski, which will be published by this fall by Miskatonic River Press:

"When the footpads quail at the night-bird’s wail,
And black dogs bay at the moon,
Then is the specters’ holiday – then is the ghosts’ high noon!"

-- Sir William Schwenck Gilbert, Raddigore, Act 1
Holidays. Special days of commemoration and celebration. Feasts and festivities. Remembrance and revelry. But what dark things lurk just out of sight, in the shadows of those celebrated days? Forces beyond our comprehension, yearning to burst into our warm and comforting world and tear asunder those things we hold most dear. As the wheel of the year turns and we embrace our favorite occasions, let us not forget that beyond the light is a darkness, and in that darkness something stirs. Some nameless thing that brings us Horror for the Holidays!

Much like Dead But Dreaming 2 editor Kevin Ross, Scott is a well known and widely respected editor and writer of Call of Cthulhu RPG monographs, supplements, and source books, as well as Mythos short fiction (appearing with me and my proud compatriots in DBD2).  He had some very kind words to say about my story, which thrills me to no end.  I honestly can't wait to see what Scott has put together, as once again, some pretty damn big names are lining up to get into this twisted collective.

What an exciting last few months it has been 'round these bloody parts!  I owe much to the good folks at Miskatonic River Press, and look forward to working with them for a long, long time.  And from some rumblings issuing up from the catacombs, there might be more news in this department coming soon.

Keep your eyes pealed, and keep watching this space, when not watching the other.
 

Friday, February 18, 2011

Dead But Dreaming 2 available for pre-order from Miskatonic River Press

The day draws nigh, as we all draw in our last, untroubled breath.

As recently announced by Miskatonic River Press President and Managing Editor Tom Lynch, Dead But Dreaming 2 (edited by MRP's esteemed squid wrangler Kevin Ross,), the widely anticipated follow-up to the critically hailed Dead But Dreaming (edited by Ross, in collaboration with MRP founder and eternal spirit guide Keith "Doc" Herber),  is now available for pre-order at the Miskatonic River Press electronic mothership.

From the site:

Nowhere to Hide...

No one is safe. You aren't safe. Ancient and inimical, the alien influences of the Cthulhu Mythos are all around us. In our cities, our nightclubs, our backyards, and heading for our front porches right now. From the dreaming city of Kingsport, Massachusetts, to the lonely northern woods and the barren western deserts. The urban sprawl and the distant lake. The depths of the Pacific and the freezing ruin of a starless Earth. They are here, destroying us, devouring us, shattering our minds with the one truth we cannot bear to admit: that no matter what we do we cannot escape the fact that, deep down, we are very much like them.

Dead But Dreaming 2 is the second volume of the critically-acclaimed anthology series from Miskatonic River Press. Herein are 22 tales of Lovecraftian horror from the modern masters of Cthulhu Mythos fiction: Scott David Aniolowski, David Annandale, Donald R. Burleson, Cody Goodfellow, John Goodrich, T.E. Grau, Rick Hautala, Walt Jarvis, Erik T. Johnson, William Meikle, Will Murray, Daniel W. Powell, Wilum Pugmire, Joseph S. Pulver Sr, Pete Rawlik, Kevin Ross, Brian Sammons, Darrell Schweitzer, Adrian Tchaikovsky, Michael Tice, and Don Webb.


Hey, I'm the dude behind "the barren western deserts"!  Ka-KAW!  
In other recent MRP news, let's all raise our respective glasses in congratulations to Scott David Aniolowski, who is Miskatonic River Press' new Vice President in Charge of Fiction; and longtime MRP RPG maven Oscar Rios, who has been newly dubbed Vice President in Charge of Gaming.  

Cheers, fellas.

Oh, and pre-order Dead But Dreaming 2, as I have a feeling - based on a lot of buzz - that the first printing of this sucker is going to sell out quickly.